It’s as if December, a personal lowlight of the calendar, creeps up quicker with each passing year. Isolation time. Reflection, introspection, evaluation and hibernation is the norm, trying to make sense of what the past year has wrought and wondering what lies ahead. “At least I accept the changes better than I used to do.” Joni Mitchell wrote that. It’s been proven accurate as the years pile up, but is that the experience time brings or resignation to the inevitable? I can’t call it. But I am working on it, best I can. This episode is a reflection of the thoughts, hopes and dreams of where we seem to be as a culture, as well as what lies ahead, through my observations. But as I’m fond of saying, “What the fuck do I know?”
Edward Kennedy “Duke” Ellington is a towering figure in the music world, every bit as important as Mozart and Louis Armstrong. He begins the proceedings with “Misfit Blues” and by the time we get to the end, Joni Mitchell, Rickie Lee Jones, David’s Crosby and Bowie, A Tribe Called Quest, Talking Heads, The Tubes and many more have made contributions, but the one that hits the hardest is David Sylvian and Ryuichi Sakamoto’s devastating “World Citizen.” Look for Set 2 within a few days and thanks to everyone taking the time to support the program through donations (here) and listening with an open mind… and ears. Love to all.
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Hope that everyone made it back to home in one piece and that drama was kept to a minimum if you gathered with extended family. Those days are kind of over for us and I suspect many of my demographic also experience a twinge of regret around this Season. I belonged to a fairly large family, one side 100% off the boat Italian, the other mostly Swedish, with a dollop of German mixed in. The Italian side eventually fessed up that my Grandmother Vinjencina (isn’t that a beautiful name?) had a bit of Albanian in her mixture. That tidbit was helpful in understanding perhaps why the only two times I was at an event also attended by John Belushi, he headed straight for me. Offering a joint at an early Bottom Line performance of Warren Zevon, and breaking up our circle of vipers at The Animal House Village Gate party to partake after the New York premiere. Too bad he couldn’t have stayed with weed. As real as it gets and not even a whiff of star entitlement. He was generally interested in our opinion of the film, knowing we were a bunch of music nerds from the retail record business that lucked into an invite.
This opening set of FTB #263 begins with brand new stuff from the lovely Isobel Campbell and interesting new to my ears artist, Cincinnati's Jack Kays. Also pop rockin Joy Buzzer return with their tender love ballad, “Try Not To Be An Asshole (For A Little While)”... anyone have a tissue, I’m getting a bit misty! There is also a batch of newly digitized 12 inch vinyl singles that I discovered in a long sealed box which contained my old DJ gig bag, chock full of classic Alt Dance mixes. Thanks for checking the show out and I’ll never be able to properly thank those of you that actually dig in your pocket with financial support for this true labor of love. Loose change? Deposit right HERE.
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From The Basement episode #263 Set TWO 12/4/24
Billy Conway gets the honors batting lead-off to what starts off as the second set, runs through a few stop signs and yellow lights, winding up as the third set too. I learned long ago that these things happen, and it’s best to go with the flow. I urge you to check out the Billy Conway Artist Fund (click), one of the finest humans I have encountered in this business, and a hell of a musician. This is a Billy demo version of one of his songs, never released. Speaking of, the new release bin is responsible for live My Morning Jacket, new albums from Joan Armatrading, Jazz Sabbath, Andrew Weiss and Friends and the decades in the making collaboration of The Last Poets and Tony Allen. In addition a wonderful 50th Anniversary Edition of Al Stewart’s seminal “Past, Present and Future” album, live Father John Misty and a jam-packed recording of last year’s Crossroads Guitar Festival.
The twists, turns and tales are plentiful before wrapping with a send off to King Crimson lyricist and co-founder Peter Sinfield, and in their announcement of his passing they tagged on “original roadie, lights operator and live sound engineer.” He wrote the lyrics for their first four albums. Also “I Believe In Father Christmas” with Greg Lake and in later years everyone from Bucks Fizz to Celine Dion. Thank you from the bottom of our hearts for your generous contributions to keeping this project alive, our tip jar will be visible through the end of the year. DL24Bit
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Mike MarroneDad, Husband, Radio Programmer/DJ, Music Enthusiast, Drummer and Retired American. To help keep the From The Basement programs afloat, especially now that I am retired and living on a fixed income. Please donate via PayPal below whatever you feel you can afford to help cover my costs.
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